people: Machiko Kyō

Ryūnosuke Akutagawa's story, and Akira Kurosawa's movie, have endured to tell us something about the nature of truth in a time when we can hardly trust the words we hear in our own heads

Kōbō Abe's novel, and Hiroshi Teshigahara's film adaptation, explore an extreme case: a disfigured man given a new face to present to the world, and thus all the perils of existential absolute freedom