people: Dai Sato

Never before available for English-speaking audiences, Gakuryū Ishii's raw and rousing micro-budget motorcycle mini-epic heralds what was to come in his future films

Ryū Murakami's adaptation of his own story about a Tokyo sex worker is noisome social commentary that won't reach anyone who hasn't already gotten the message

This labyrinthine noir about a third shift cabbie grows in unexpected directions, becoming one of the best anime offerings in a long time

Once thought lost, then found intact, this rapid-fire sendup of/homage to anime tropes is fitfully funny, but better in its pieces than across its whole

Critically maligned, a financial disaster, and dramatically murky -- but dazzling nonetheless, and as a milestone for how CGI functions as its own storytelling medium

Not some genteel life-lessons story, but the quiet plea of a man resisting the growing militarism and reactionary violence of his world

Lopsided, but still very enjoyable; if this hasn't raised the upper bound for anime-to-live-action, it sure has raised the lower bound

Your standard cop-buddy story, made only slightly more interesting by having the buddy being a magic-wielding paladin

A scaled-down adaptation of Sōseki Natsume's dark comedy of human nature as seen through the eyes of a cat, but with all its cutting humor intact

Anyone curious about 'Lupin III' or Hayao Miyazaki's career, start here, as this is a grandly entertaining introduction to both at once